This chorale survives without text. The text that appears here is the one provided by editors of the Bach Gesellschaft Ausgabe (BGA).
Speculation regarding liturgical occasion: This setting may have come from a lost work for Good Friday, based on the fact that three of the other four–part settings for this tune also came from Good Friday passions and on the setting’s placement in the Dietel Collection, portions of which are arranged by liturgical calendar — Dietel chorales 136, 138, 139, 140 and 142 are all from the St. Matthew (BWV 244) and St. John (BWV 245) passions.